New York, NY

    Dental social media for a practice patients reach on foot

    Almost everything difficult about publishing for a dental practice here comes from the buildings and from the fact that nobody drives. The suite may be on the ninth floor behind a security desk, or two flights up in a prewar walk-up, or at the garden level of a brownstone with no sign on the street, and the walk in from the corner gets filmed on property the practice does not control. A sidewalk shed can hide the awning for a season. A patient leaving a sedation appointment goes home on the train with whoever agreed to come along. And the radiators change what people ask you in January. Those are the parts of this that only hold in the five boroughs.

    Ask the managing agent before you film in the lobby, because none of that hallway is yours

    The arrival footage a New York practice most needs is shot almost entirely on property the practice does not control.

    Patients get lost here. A ninth floor suite behind a security desk, a garden level in a brownstone, two flights up in a walk-up with nothing on the door. The single most useful clip you can publish is the walk in from the corner.

    Most of that walk belongs to somebody else. House rules or a commercial lease can govern photography in common areas, and a managing agent may want notice, a certificate of insurance from whoever is filming, or a flat no.

    There is a second problem the trades never face. On a shared medical floor, other practices' patients are in your frame at the elevator and in the vestibule, and none of them agreed to appear in dental marketing. Film before the floor opens, if the agent allows it at all.

    The sidewalk carries most of the weight anyway. Awning, address, the nearest station entrance, then a cut to your own door, all of which you can shoot on a quiet morning without asking anybody.

    A sidewalk shed can stand over your sign for a season, so film under it

    Facade work puts a canopy of pipe and plywood across the front of buildings here for months at a stretch, and it changes what a first time patient is looking for.

    The shed goes up, the awning vanishes behind it, the light on the sidewalk turns green, and the entrance somebody was told to look for is now a gap between scaffolding legs. Nobody tells the tenants how long it will be there.

    Reshoot the arrival rather than waiting it out. A clip that shows the shed, reads out whatever is painted on the scaffolding and points to the door underneath does more for a nervous first visit than the version you filmed last spring.

    Put it in the reminder message too. A patient looking for a blue awning in Astoria or on the Upper West Side will walk past the building twice and call from the corner, if they call at all.

    Then film it again when the shed comes down. Arrival footage is the one thing on a New York practice's account with an expiry date, and nothing else you publish goes stale so quietly.

    After sedation nobody here is driving home, they are taking the train

    Escort instructions written for the rest of the country assume a car in a lot, which is not how a patient leaves your office.

    A patient who has been sedated cannot go home alone. In most places that means somebody drives them. Here it means somebody rides with them, gets them up a flight of subway stairs, through a transfer, and then to a door that may be at the top of three more flights.

    Hardly anybody plans for that, so the appointment gets canceled the morning of, or the patient arrives alone and insists they will be fine on the train.

    Publish the real version. Who has to come, how long they should expect to be there, what the ride home involves, why a car service on its own does not answer it, and what to do about the walk-up at the other end.

    Your front desk explains this every week. Say it once on camera, send the link when somebody books, and the Monday morning phone call stops being a negotiation.

    Steam heat runs all winter, and January is the month every mouth is dry

    A prewar building heated by radiators nobody in the apartment controls produces a complaint your hygienists hear every January and no national account has written for.

    Radiators run on the building's schedule rather than the tenant's, and the standard remedy is a window open in February. The air in those rooms gets drier than the air outside, and people sleep in it for months at a time.

    It reaches you as morning dryness, cracked lips, more sensitivity than usual, and patients who assume they are imagining the whole thing. Explain what dry air does in a mouth, what a humidifier changes and what it does not, and when dryness is worth a conversation about medication rather than the radiator.

    Keep it general. You have not seen the apartment, and a clip that describes the condition and says when to ask somebody beats one that diagnoses a building in Park Slope you have never stood in.

    It is also the rare piece of dental content in this city with a season attached. Publish it when the heat comes on, run it again in the coldest stretch, and it will be exactly as true next winter and the one after.

    For the parts that have nothing to do with a shed or a radiator, like who belongs on camera and what deserves money behind it, our general dental social media page is at /industries/dental/social-media.

    Questions we actually get

    Can we film in our building's lobby and hallways?
    Only with the building's permission. House rules or your lease can control photography in common areas, and a managing agent may require notice or a certificate of insurance from whoever is filming. Ask first, keep other tenants and their patients out of frame, and get the answer back in writing so nobody has the same argument again next spring.
    There is a shed over our entrance and no end date. What should we post?
    New arrival footage, filmed under it. Show the scaffolding, read out what is written on it, point at the door and say what the walk from the corner looks like now. Add a line to your reminder messages while it stands. Then film the block again when it comes down, because your old clip is quietly sending people past the building.
    Patients keep asking whether they can take the subway home after sedation. What can we say publicly?
    Say the general rule and leave the individual case to the appointment. A sedated patient needs a responsible adult with them for the journey and afterward, and in this city that means a person on the train rather than a car at the curb. Publishing what an escort is actually agreeing to saves the argument at the front desk on the day.
    We are at the garden level of a brownstone with no signage. How do people find us?
    Only by being shown. Film the cross streets, the nearest station entrance, the gate and the steps down to your door, and keep a still of the door itself where a patient can find it on a phone. A stock photo of a suburban entrance is worse than nothing, because the visitor is looking for something that does not exist on your block.
    Is winter dry mouth really worth a video?
    In a city of steam heated prewar apartments, yes. The radiators are not adjustable, the room air gets very dry, and patients notice the effect without connecting it to the heat. Describe what dry air does, what a humidifier will and will not fix, and when to ask about something else. It is one of the few seasonal pieces here that stays accurate year after year.

    What is different here

    Patient information is protected, which constrains ordinary marketing mechanics: analytics, call recording, remarketing audiences and reviews all touch it. Advertising is also governed by the state dental board, and before-and-after imagery and specialty descriptions carry specific requirements. Anything published here should have a compliance read from the practice's own counsel.

    Written by KC Thompson, Morgul Marketing.

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