A shotgun house films as one unbroken shot, and a carved up Victorian films as a surprise
The housing stock here decides what a walkthrough can look like before anybody picks up a camera.
A shotgun house is rooms in a line with no hallway, so the honest walkthrough is one steady shot from the front door to the back. Cutting it makes the space read larger than it is, and applicants notice the moment they step inside.
Old Louisville and the Highlands are full of large Victorian houses divided into apartments decades ago. The outside promises one thing and the unit delivers another, so lead with the unit and let the building be the second shot rather than the first.
Say which floor and which entrance every time. In a divided Victorian the parlor floor unit and the attic unit have almost nothing in common, and a listing that blurs the difference wastes a Saturday for everybody.
A postwar house in Fern Creek or Okolona is the opposite problem. It films easily and looks like every other listing in the market, so the words carry it: the yard, the garage, the school, the drive to the airport at four in the morning.
Owners of the older buildings study this footage harder than applicants do. Somebody holding a double in Germantown wants to see whether you can describe an old house plainly without apologizing for it.